Michelle Cann & Imani Winds

Curtis Presents | Curtis 100 | April 23, 2025 7:30 p.m.

Lauded as “exquisite” by the Philadelphia Inquirer and “a pianist of sterling artistry” by Gramophone, Michelle Cann, Eleanor Sokoloff Chair in Piano Studies at Curtis, has become one of the most sought-after pianists of her generation. In this Curtis Presents concert, Cann joins forces with renowned faculty members, the 2024 GRAMMY-winning ensemble Imani Winds—Brandon Patrick George, flute; Toyin Spellman-Diaz, oboe; Mark Dover, clarinet; Kevin Newton, horn; and Monica Ellis, bassoon—for a night of breathtaking performances and unparalleled artistry.


Program
PAQUITO D'RIVERA A Little Cuban Waltz
VIET CUONG (’19) Sextet for Wind Quintet and Piano*
POULENC Trio for oboe, bassoon, and piano
VALERIE COLEMAN Portraits of Langston for flute, clarinet, piano & narrator
POULENC Sextet for Piano and Winds
*Philadelphia premiere
  • April 23, 2025
  • 7:30 p.m.
  • Curtis Institute of Music, Field Concert Hall
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Artists

  • Lauded as “technically fearless with…an enormous, rich sound” (La Scena Musicale), pianist Michelle Cann made her orchestral debut at age fourteen and has since performed as a soloist with prominent orchestras such as the Atlanta and Cincinnati symphony orchestras, The Cleveland Orchestra, the New Jersey Symphony, and The Philadelphia Orchestra.

    Ms. Cann’s 2022-23 season includes an appearance with the Los Angeles Philharmonic, return engagements with the Cincinnati and New Jersey symphonies, and debut performances with the Baltimore, National, New World, Seattle, and Utah symphonies. She makes her debut at Carnegie Hall with the New York Youth Symphony and performs recitals in New Orleans, Little Rock, Sarasota, Toronto, and Washington, D.C.

    A champion of the music of Florence Price, Ms. Cann performed the New York City premiere of the composer’s Piano Concerto in One Movement with The Dream Unfinished Orchestra in July 2016 and the Philadelphia premiere with The Philadelphia Orchestra and Music Director Yannick Nézet-Séguin in February 2021, which the Philadelphia Inquirer called “exquisite.” She has also performed Price’s works for solo piano and chamber ensemble for prestigious presenters such as Caramoor, Chamber Music Detroit, the Philadelphia Chamber Music Society, San Francisco Performances, and Washington Performing Arts.

    Ms. Cann is the recipient of the 2022 Sphinx Medal of Excellence, the highest honor bestowed by the Sphinx Organization, and the 2022 Andrew Wolf Chamber Music Award. Embracing a dual role as performer and pedagogue, Ms. Cann frequently teaches master classes and leads residencies. She has served on the juries of the Cleveland International Piano Competition and at the Music Academy of the West. She has also appeared as cohost and collaborative pianist with NPR’s From The Top.

    Ms. Cann studied at the Cleveland Institute of Music and the Curtis Institute of Music, where she serves on the piano faculty as the inaugural Eleanor Sokoloff Chair in Piano Studies.

  • Imani Winds is the 2024 GRAMMY® winner in the Classical Compendium category for Jeff Scott’s “Passion for Bach and Coltrane” released on their recently formed record label, Imani Winds Media.

    Celebrating over a quarter century of music making, the three time GRAMMY® nominated group has led both a revolution and evolution of the wind quintet through their dynamic playing, adventurous programming, imaginative collaborations and outreach endeavors that have inspired audiences of all ages and backgrounds. Learn more

2024–25 Season

Great to Groundbreaking

Step into the heart of our centennial celebration as Curtis Institute of Music unveils a season brimming with passion, energy, and greatness. You’ll experience music-making at its highest level—and the energy and excitement of extraordinary young talent. It will be an unforgettable season, where the young artists of Curtis ignite the stage alongside esteemed alums like Yuja Wang, Ray Chen, Teddy Abrams, Time For Three, and many more. 

Special Thanks

Curtis’ Centennial Season is made possible through the support of Derek and Sissela Bok, the Mary Louise Curtis Bok Foundation, Deborah M. Fretz, Charles C. Freyer and Judith Durkin Freyer, Lisa and Gie Liem, Mark and Robin Rubenstein, and the Commonwealth of Pennsylvania. 

Curtis Institute of Music received funding from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts.

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